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This
band should be familiar to Vortex patrons, having played at the club in
November 2006, during the tour that produced this album, recorded live
in Oxford.
Their music straddles the border between structure and freedom, moving uncontrivedly from prearranged but relatively sketchy 'heads' (often a mere hint of a melody or a repeated motif) to freely improvised passages skilfully utilising the entire range of sounds and textures, from quiet skittering to full-throttle free-for-alls, available to a band comprising cornet/flugelhorn (Baltimore-born Taylor Ho Bynum, an ex-Braxton student who has played with the Aardvark Jazz Orchestra among others), piano (Alex Hawkins), bass (Dominic Lash) and drums (Harris Eisenstadt, from Toronto).
The telling exploitation of contrast (both stylistic and dynamic) is perhaps the band's greatest collective strength (on this album, 'Convergence' ä to take a representative piece ä includes both an insinuating, quietly stated theme and roiling free passages), but individually, too ä Taylor Ho Bynum incorporating everything from woozy smears to spearing runs into his playing, Alex Hawkins gunning the gamut from splashily percussive to pianissimo, Dominic Lash judiciously balancing steady support with solo excursions, Harris Eisenstadt driving the whole via everything from powerhouse rock-like beats to the subtlest of understatement ä the band rivet the attention just as successfully on this recording as they did at their Vortex gig.