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This
live quartet concert (Anthony Braxton plays sopranino, soprano, alto and
contrabass clarinet; Taylor Ho Bynum cornet, flugelhorn, piccolo and bass
trumpets, valve trombone; Mary Halvorson electric guitar; Katherine Young
bassoon), like many of the Chicagoan multi-instrumentalist's performances,
sounds superficially like free jazz, with the various participants coming
and going, adding their voices spontaneously to an extremely various and
multi-textured sound-mix as the whim takes them, but in reality, this is
a seventy-minute visit to Composition 367b (plus a short encore), in which
long-time associate Taylor Ho Bynum in particular (Vortex patrons will have
seen him play at the club a year or so ago) clearly revels, finding a great
deal of space within it to make his own distinctive contributions.
Braxton himself, though, provides the main focusing elements; whichever of his many reeds he picks up is deployed with characteristically idiosyncratic energy and panache, his pleasantly breathless-sounding tone immediately recognisable, and providing fascinating contrasts with the unusual timbres provided by Halvorson and Young. Probably not recommended for Braxton tyros, looking for a way into his music, but it will undoubtedly please his many established admirers.