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Born
in England but raised in Canberra, saxophonist Adam Bishop returned to
London in 1998, and has established himself on the capital's jazz scene
via work with, among others, Tomorrow's Warriors, Larry Bartley (the bassist
here), Polar Bear and Roberto Pla's Latin Jazz Ensemble.
Leading a tight, muscular yet sensitive quartet (completed by vibes player Jim Hart and drummer Shaney Forbes), Bishop showcases not only a considerable compositional gift on this, his outfit's debut album, but also a tenor tone that recalls, instead of the usual contemporary models, the work of one of his tutors, Mark Turner: a highly affecting liquid, warbling sound hardening when required into a steelier approach.
He also operates on soprano and on one track, 'True and False', harmonises with himself on soprano and bass clarinet. Another of his declared influences is Steve Coleman, and there is a restless, slightly slippery, nervy quality to some of Bishop's pieces, resulting in Billy Strayhorn's 'UMMG', for instance, taking on an appropriate edginess.
Overall, though, this is an unequivocally enjoyable, accomplished album, setting an intriguing new saxophone talent against a skilful, elegant but robust rhythm section spearheaded by the alternately glowing (on ballad material) and tastefully vigorous Hart. One to watch.