The longest road is often most rewarding, and through Batkovic’s restless searching and anarchistic approach to accordion music, he’s carved his own place as an indefinable but intoxicating musical entity. His music criss-crosses between classical and contemporary, often featuring many classical cadences and harmonies, yet is also interlaced with less conventional sounds by using the instrument percussively and draws from minimalism.
When Geoff Barrow (Portishead) was introduced to Batkovic’s music, he immediately realised both its musical and technical proficiencies, as well as its sheer uniqueness. Batkovic was subsequently invited to support Beak on their 2015 tour and then signed to his record label: Invada. Geoff began working with Batkovic in the studio, encouraging him to write in new ways and opening doors for new musical directions. And the finished product, is a manifestation of this.
“I wanted all of the instruments breathing, air noises and the sounds of flapping of claps to be audible. So the handicaps of the accordion can be transformed into benefits, creating a new sound.”