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Chris Biscoe / Liam Noble / Dominic Lash / Roger Turner

Chris Biscoe

CHRIS BISCOE

Chris Biscoe is a self-taught clarinetist and one of our finest. He started working with Mike Westbrook in 1979 and has played in many of Mike’s projects including The Westbrook Blake, The Cortege, On Duke’s Birthday, London Bridge and Chanson Irresponsable. He has also toured & recorded with George Russell, Andy Sheppard, Grand Union, Chris McGregor, Didier Levallet & worked with Hermeto Pascoal, Dewey Redman, Kenny Wheeler & the New York Composers Orchestra, co-led by Wayne Horvitz and Marty Erlich.

“Biscoe must be one of the most underrated figures in UK jazz, his unassuming, learned demeanour belying a soloist of passionate (and unfailingly inventive) intensity, whether he’s playing alto or alto clarinet” London Jazz Blog

LIAM NOBLE

After studying music at Oxford University and the postgraduate course at the Guildhall, Noble became the regular pianist with Stan Sulzmann (in both duo and quartet settings) on John Taylor’s recommendation. He went on to work in the bands of Anita Wardell, Harry Beckett, Tim Whitehead and John Stevens as well as recording and touring with cult minimalist composer Moondog. During this period, he also performed with John Taylor (as part of Stan Sulzmann’s two piano quintet), Kenny Wheeler and Lol Coxhill.

“Noble is a supreme motivic improviser in the manor of of Thelonious Monk,Ornette Colman, Sonny Rollins and latterly, Brad Mehldau” John Fordham, The Guardian

ROGER TURNER

Roger Turner has been applauded for his precision and speed since he entered the London improvising scene in the 1970s. His restricted drum kit is extended by found objects to create a sound comparable to no other. He’s played with Evan Parker, Cecil Taylor, Otomo Yoshihide, Shelley Hirsch, Joëlle Léandre, Keith Rowe.

“One of the giants of free improvisation” The Wire

DOMINIC LASH

Bassist Dominic Lash has been a powerful force in transatlantic improvised music for several years. Emerging from Oxford as a young improviser, he became a major player in the London Improv scene before relocating to the crucible of New York’s free-jazz scene for much of 2011.

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